Yuletide 2020
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Features: Humans Are Space Orcs (Meme), The Addams Family (TV show / Movie), Ever After High (webseries), Horizon Zero Dawn (Video Game)
This year has been... something else, hasn't it? I really hope this finds you as well as can be considering the circumstances, and this is my thank you in advance for writing for me and for taking part in Yuletide when I think so many of us are just completely out of energy for things. It's been rough.
As for my requests, everything in this letter is a guide, to give you an idea of my headspace or the things that really draw me to a specific show. I might ramble a bit, so thanks in advance for reading.
- OC's or minor characters with outsider opinions of the main cast and situations
- Culture clash, fish out of water scenarios
- Very self-aware characters kicking ass in rough situations
DNW:
- Unresolved endings
- Unresolved tension
- In general I'd prefer fic not to be explicit.
(others listed in fandom)
With things as hard as they are, Humanity Being Awesome In Space is my kind of escape fantasy, but with humanity that isn't perfect the way Star Trek tends to present it, or as utter capricious terrible monsters as current sci-fi likes to go. I also ADORE culture clash and fish out of water situations, so this meme is up my alley.
The downside is that the meme tends to be written as 'what ifs' and thesis statements and occasional logs, not usually narrative stories. Ergo, I'd love some actual narratives to read!
Some random points/prompts I'd love to see
I love the idea of 'every ship should have a human' and 'they're invaluable so long as you don't break them or let them touch the wildlife' and 'humans have very strange ideas of acceptable violence/sarcasm/retaliation/honor' when coming against another species. For other posts in the theme that I really enjoyed and could be used as a starting point, check 1, 2, 3, 4 and 5.
For more specific prompts/thoughts
Someone tries to attack/board the ship that has a human or several human crewmembers, and all those human adaptations (gravity, heat and cold tolerances, chemical tolerances) mean they can take on the attackers directly. Bonus points for aggression/protectiveness of you don't hurt my crew.
The Human Drifter
This comes from additional link 1 above, but the idea of humans being unintentional space drifters amuses me, and a series of stories about one, or a ship dealing with an unwanted but eventually useful guest would be great.
Humans don't go gently into the night
From post linked 3 above, I get gut punched hard on stories of self sacrifice, and I'd love something that examined it from an alien race where it would be considered nearly unheard of from anyone not immediate kin, compared to humanity who will do it pretty frequently for strangers.
"Humans, as humans say, do not go gentle into that good night.
Worse, they do not go gentle into bad nights, worse days, or terrifying sunsets. Dawn seems to fill them with potency and rage, as if to call upon the solar gods and tell the deities to come down here and say that to their human faces. We do not know how long she bought us, but we, the hive now called K’thrn, understand what it means to have someone expend their existence for the survival of others.
We find it terrifying."
The 5th link made me cry the first time I read it. I love the fear and the uncertainty but then the hope. The followup by other writers just adds to it - the idea that we as a species will be helpful, and hopeful, and oh, can we pet your dog?
I'd prefer not to receive: something where the aliens are generally unintelligent as opposed to uninformed, a 'why do you do X?' 'I do x because of y' conversation fic, anything involving childbirth or menstruation, anything explicit.
I struggle with reading xir/xem/zhir pronouns, so if you could use they/them for nongendered characters I'd appreciate it.
Addams Family (TV & Movies)
I love the Addams Family in every possible iteration, so you are welcome to write from the movie or tv canon, or fuse the two! I love their family dynamic, their utter love for one another, their unflapple nature, and the strange worldbuilding of a million cousins and Gomez's ability to make money and Morticia's man-eating plants. There is nothing you can write about them Doing Things that I won't love.
Prompts
Renting out rooms
I saw this thread and it has been in my head forever. I would LOVE to see the Addams subletting rooms to college students and the hijinks that ensue. Not sure about writing an OC? Put ANY character from your fave series in (I am secretly the world's biggest fan of crossovers), and have fun. I love love love the idea of the Addams being supportive and adoptive and wholesome to these newer people, and the idea of young adults being like 'honestly this isn't the strangest thing I've seen and they're nicer than my parents have been since I started dating women' or what have you.
Morticia at a Garden Show
I love Morticia's gardening, deadheading roses to keep the thorns. I'd love to see her wandering a garden show and gaining that wonderful mix of terror and awe as she shows off Cleopatra, or maybe she has a booth where she's looking to sell some of Cleo's cuttings? Where the Addams rub up against normal, and what exactly is 'normal' to one person vs the next would be so fun to see. (I mean, blood/bone meal makes good fertilizer, right?)
Worldbuild
How is an Addams born? Baptized? Do they truly age? What is it like to be an Addams and be woken from your grave for Wake the Dead? What other cousins are there? (Crossover space: what other people might also be an Addams and keep it secret because no one understands). How do the Addams handle the future now, with technology as it is? What is an Addams vacation? What is it like to have an Addams as a roomate, a classmate, a co-worker? I'd love to see thoughts expanding on any and all of this!
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So I am 90% through Frozen Wilds and have finished the main game at the time of writing this and I have a LOT OF FEELINGS about this game, this universe, these characters. SO MUCH. I selected Aloy as the character but you are welcome to include ANYONE else in the cast, or write about her from anyone else's POV. I only ask you leave Nil out of it, his head isn't something I want to see inside of.
On a personal note, I'm adopted, so found family stories mean a lot to me. Likewise stories like Aloy's, with in/out group dynamics, hit really hard. Also, it's really easy to read Aloy as ace and so I do for my own headcanon. You don't have to yourself, but if you want to queer the narrative I'd love her to be slow to figure out romance and for sex to be... not very interesting. I love how clueless she is when folks are hitting on her as is, and you can pretty much ship her with anyone (but preferably not Nil, Sylens, or the morally disreputable).
Prompts (I am going to try to do these in sortof character connected chunks)
With Rost
Rost works a bit better on paper than on screen, I think, and his 'final test' with Aloy is a great example of that. We have two things that bug me:
2) Aloy has made clear for a very long time that she doesn't really care about the Nora (see point 1) and that her plan is to find out about her mother and then almost certainly come back 'home'. Rost knows outcasts who return don't always find themselves able to, or he should based on the game's worldbuild. His "now I am leaving you so you have no choice but to go to them' makes...no sense with knowing a) how Aloy is likely to break taboo when she TALKS ABOUT IT CASUALLY and has no respect for it, and b) he's never given her reason to want to be part of the Nora, as far as we are shown in canon.
I'd love to see an alternate take on this with Aloy calling him out about what is essentially abandoning her. He gets a pass in game by dying nobly to save her but if he hadn't, he'd have literally abandoned her to deal with living with the Nora on her own, just like her tribe had abandoned her with him. I feel like Aloy could have said a lot more and swung his mind around, or at least they should have had an actual conversation.
With Avad
I love Aloy's interactions with Avad, her straightforward nature and his political dealings and I feel like he finds her very refreshing. I'd love to see things investigating how many times Aloy has saved Avad, Avad's family, Avad's people... I mean, the man OWES HER and that could be interesting to play with. What are Carja romance traditions like? What if Aloy doesn't recognize that she's being courted? What if Avad wants to court but has to deal with politics and someone wanting him to have a noble wife?
I have a huge love for fealty/loyalty/oaths/debts so anything that plays on those themes could be great. Or hey, give me an AU with Avad and Aloy in an arranged marriage? ALLL the tropes? I'd love it! Otherwise, one of Aloy's lines: 'Aloy despite the Nora' rings so true to me. I'd love to see Avad really make a space for Aloy and find a way to support her.
Also, Avad being smart enough/non religious enough to really understand Aloy's adventures, the AI, everything. Aloy SHARING HER FOCUS or getting a focus for Avad! That would be amazing to see his POV of the new world she shows him.
With the Nora / Banuk
I really wish there was more examining 'Aloy despite the Nora'. She gets angry at them and there's a bit from Varl about how the Anointed doesn't like being called the Anointed or bowed at, but I'd really love an in depth dive into this, especially post main game. The realization from the Nora that they made an outcast of the person the world/their goddess gave to save them, and that she does not feel that she IS Nora, or part of the tribe. That she doesn't have their customs because they witheld them from her. That if Aloy wasn't who she was despite their treatment of her, they'd all be dead. This could be any interaction, or from multiple voices, but I'd love to see something from the Matriarchs, Sona or Varl.
Aloy with AI
I'd love to see anything involving Aloy restoring Gaia, working with Cyan, or even the undiscovered AI yet. Introducing them to others and slowly explaining the Old World to the important people in her life and giving them the tools to learn and support Aloy in turn. The girl is 19! She needs some backup! She is carrying the history of the end of the world and all those silent messages into the unknown - that's a lot of psychic weight for anyone!
I'd prefer not to receive: PWP, pure fluff or romance, Aloy straight forgiving the Nora just because.
Raven Queen, Apple White
Because this show is a webseries aimed at kids, they only ever gloss the surface of subjects that really REALLY ought to have conversations or entire episodes about. I want fic that tackles the stuff they keep skipping over, or barely mention. Let's talk about abusive parents, bad friendships, and what Happily Ever After really means. I love what this show could have been and am genuinely sad it was cancelled because of internal politics and Disney being jerks, so getting to see some depth and resolution would mean a ton to me!
If you're a huge Apple fan, I'll admit I find the series does her no favors as she's honestly more selfish than anything and really needs some solid lessons in self awareness, but I can also admit that she's a teenage girl who is a reflection of her upbringing and societal expectations, so it's less hate and more a desire to see her actually grow.
Prompts:
Dragon Games especially gives me so so many feelings. There's so much to unpack in that set of episodes that I feel never really got dug into due to the nature of the show. Consider the following a series of thoughts/questions/ideas that you could take ANY point from and write about and I'd be extraordinarily happy.
Apple. Apple. I genuinely feel bad for her on one hand, because she's clearly coming from a terrible relationship with her mother, but at the same time she is focused on her 'Happily Ever After' to the point of doing irreparable harm to her friends and her future kingdom. She's obsessed with it - and this doesn't feel like a 'because my mother wants me to be' thing, but as a self driven need. She spends 3/4 of the series trying to encourage Raven to give up her freedom and choice, to become 'evil', while at the same time calling Raven her 'best friend'. Is that what friends do to one another? Apple doesn't seem to ever really question it, not even when Raven calls her on it.
Apple hurts Charming and her focus is on her happily ever after. Apple frees the Evil Queen and worries about her reputation (and happily ever after) instead of the threat to her school. She only sees the mistake when she's been betrayed and the school is already destroyed. She literally needs the world to end to realize she's done something wrong. What are the consequences of this, really? Does she even ever realize how far she's gone before she apologizes and 'makes right'?Apple seems to think that she and Raven are supposed to be best friends, 'forever after', but there isn't a lot of... well, plot to support this? It's clearly her motivation at points, but her mother and Raven's mother aren't friends, and there's no indication of villains and royals getting along in general story beats, so where does that come from? What makes her think that they are going to be friends, when even Raven points out (in the stables) that you can't be on both sides, in Apple's perfect idea of the future.
After Apple apologizes Raven forgives her SO fast, which I honestly wish had been expanded on and that Apple had to work harder for, because this isn't one mistake, this is the last straw in a long line of frankly abuses. Right after that Apple is poisoned and Raven apologizes for daring to... want to live her life, for staying around and making friends and not leaving everyone and everything behind. Apple never gets to hear that or understand it. She seems to finally clue in at the very end that 'being enslaved by the evil queen isn't what Raven would want' and that she might have to find her own happily ever after in another form, but there's something in how long it takes and how much it takes to get there, and how little reflection Apple gets to have on her enchanted sleep, or the fact that Darling Charming is actually her true love.
So in other words: Some self reflection from Apple and Raven, maybe Apple having to work to regain Raven's trust, maybe Raven reflecting on the life she was willing to sacrifice for her friends in the hope they could defeat her mother - there was no guarantee after all, maybe Apple's friends telling her that Raven needs time to heal, I'd love to see actual repercussions for what Apple did, and growth. (I mean, how many of their friend group is grateful to Raven for what she did, and hearing her suggest she shouldn't have and what their lives would have been destined to be if Raven hadn't fought for herself and her friend
Non Dragon Games Prompts :
Apple finding out what Raven's future would be in their "Happily Ever After'
What does Apple think Raven's future is, in their predestined story, knowing how Raven's mother is treated, how all villains are treated? How would she handle finding out about Raven's 'real destiny' that Raven was shown from the book? I'd like to think that she's not malicious, just selfish and clueless, and Raven ending in chains and shunned being her actual ending might just be something Apple's never considered.
Bonus points: at one point earlish in the series, Raven agrees to sign the book to save her friends. This is an incredibly selfless act - but what that would have meant for Raven? Do any of her friends know or understand at all? What if Apple gets to see the outcome of that choice, and what it means to Raven? Raven is so selfless compared to Apple, I'd love to see that really examined.
Raven distancing herself from her mother:
The Evil Queen is exactly that, and a terrible, manipulative, gaslighting creature who cares not one bit about her daughter, a fact that is made abundantly clear, yet the series always plays it as a "Well, she's just like that" acceptances. We've seen Raven be angry, but I feel like after Dragon Games we have a whole new level of angry where it is abundantly clear that the EQ doesn't want raven, she wants a dress-up doll.
"She's going to be evil because I gave her no choice! All of my plotting and planning has finally got me what I want"
I would love to see Raven refuse to speak to her mother, and have Raven's friends and Adults in her life support that.
Apple and Raven really discussing their mothers and the fact that they're not very good people nor mothers.
Exactly what it says on the tin, Snow White isn't exactly a great parent either. The two of them bonding over what is frankly abuse (and maybe seeing that their relationship could be healthier in the future) would be great.
Since we have learned that Charming isn't her prince, If Raven had agreed to follow their 'destiny'? Future Apple would have been poisoned and might never have woken up if Darling Charming followed her 'destiny' to be a damsel instead of a knight. Having Apple realize that could have been her future would be amazing, as would Apple exploring her maybe future relationship with Darling who I think is such a great foil for Apple.
If none of those prompts do it for you:
In general Worldbuild, questions I'd love to see prodded at: What future are you 'allowed' to have, as a Rebel? What’s right, when you’re the 'bad guy' who makes the story for the 'good guys' - or are supposed to? What do the Royals believe the Rebels ‘deserve’ - or do they even think of their futures at all? Sleeping Beauty’s daughter realizes her happy ending is one that means all her friends will be dead and gone: let’s have more of that consideration applied to the others. What makes an ending Happy, and for Whom?
I'd prefer not to receive: Apple/Raven shipping, anything explicit.